Archive for August, 2010

Glamorama 2010 – Sonia Rykiel

SoniaRykiel_Opening
Sonia Rykiel Opening
Jordan
Jordan
Greta
Greta
Machiko
Machiko
Finley
Finley
Tennille
Tennille
Tracy
Tracy
Anna Marie
Anna Marie
Toni
Toni
Sonia Rykiel’s Glamorama 2010 show opened with rotating disco balls and a French cover of my favorite Rolling Stones song, Paint it Black. The presentation was playful, with smiling models walking down the runway with an oversized pompon ball attached to each headband. The girls smiled at each other as they crossed paths, the loose clothing rippling as they moved. The collection was full of neutrals tan, white and gray, although there was an occasional pop of red. Macy’s did an excellent job presenting Ms. Rykiel’s clothing as wearable, a difficult task considering even Style.com noted the suits were much cut too large.

Glamorama 2010 – BOSS by Hugo Boss

Boss_Beginning
Screen at the Beginning
Boss_Opening
Screen Ascending
Jonas
Jonas
Luke
Luke
Boss_LadderBackground
BOSS Catwalk Structure
David P
David P

Although Glamorama spans four cities – Minneapolis, Chicago, Los Angeles and San Francisco – BOSS by Hugo Boss was only presented in Chicago. This was an extraordinary presentation from the clothing down to the structure and lighting. The show opened with the ascension of a giant BOSS logo up into the rafters, revealing the most incredible scaffolding stacked with male models. The show began with the models walking off of the platform and down onto the runway. Even my brother and fiance were completely blown away. The neon green lighting provided an intangible electricity, an energy that was highlighted as the models jauntily strutted down the catwalk. The clothing was sexy, the outfits well put together, and the styling impeccable.

Glamorama 2010 – Sportmax

Sportmax2
Opening
Sportmax1
Stacy, Amara & Azura
Yuliya
Yuliya

Sportmax’s presentation at Glamorama 2010 was very frustrating. Photographers were not allowed to use flashes and the lighting provided for this show was very poor. It was very difficult to see the clothing under the low light. In retrospect, I think that the darkness that shrouded the collection was meant to further emphasize the funereal nature of the collection. The presentation itself was depressing as it followed the jovial and colorful Jean Paul Gaultier collection, which is a hard act to follow. However, I did love the last look – a blue sequin dress on Yuliya.