Glamorama 2010 – Issey Miyake

Issey2
IsseyOpening4
Opening Scene
Toni
Toni
Yuliya
Yuliya
Amara
Amara
The decision was unanimous in my family: Issey Miyake gave the best presentation of the evening. I was most excited about seeing this show, as I am truly just a nerd at heart. When I heard that Dai Fujiwara was inspired by mathematical models of the universe I knew I was in for a treat. The backdrop played a video of a computer generated flight through galaxies and the universe. Electronic music provided a critical audio component to the immersive experience, and the combined effect was extraordinary. It was as though the pieces themselves fell out of a wormhole, twisted and knotted around each other in impossible combinations. Several looks were completely wearable as well – an admirable effort by Macy’s style team, considering how avant garde the New York runway show was.

Glamorama 2010 – Marc Jacobs

Anna Maria
Anna Maria
Finley
Finley
Tennille
Tennille
Lacey
Lacey
Lisa
Lisa
Natazha
Natazha
Jasmine
Jasmine
Anastasia
Anastasia

Following in the footsteps of the path cleared by Sportmax and Philosophy, Marc Jacobs continued Fall/Winter 2010’s depressed vibe. The music was haunting, a string quartet piece that reminded me (and several others) of the Schindler’s List soundtrack. The palette consisted of grays, blacks, and browns, with a few pops of a muted color here and there. The pale lavender dress was as exciting as this presentation became, and was an apt metaphor for the show itself. Soft and safe, like a tea party with friends at Grandma’s house, this collection was both eminently wearable and daringly conservative.

Glamorama 2010 – Philosophy

Philosophy_Opening
Opening Scene 

Philosophy_Opening1
Opening Scene Close Up

Yuliya
Yuliya

Like the Sportmax show, Philosophy‘s presentation was depressing – and not in that avant garde ironic sort of way way. The colors were too dark and the lighting too low. Perhaps I am too energetic and positive of a person, but I think fashion shows should excite the viewers – not make them want to break down into tears. The combined effect of the music, lighting and clothing was to cast a storm cloud over the audience, who seemed distressed to see such a solemn presentation. GLAMORAMA itself was full of life, color and energy, and the emotions expressed by Philosophy simply brought the high flying mood to a screeching halt. The pieces themselves are excellent for fall dinner parties, but in the context of the entire theatrical event, the collection seemed to fall flat.