I adore this profound oddness of the dress. This is my first Junya Watanabe purchase so I was surprised at how difficult it was to actually put on the dress. Challenging traditional methods of garment construction is at the heart of the Comme Des Garcons spirit. The experience of wearing such a piece out in the real world of Chicago revealed to me just how subversive a piece like this can be, especially to American men. I wore it out to a nightclub (long story and subject of an upcoming post) and let’s just say they call fashion “man-repelling” for a reason. Although the upper half of my body is obscured by draped jersey in this dress, I was stared at as though I was walking around topless with bared breasts. I can imagine all these straight men were looking at me and thinking – “What the f*ck is she wearing?”
“Conceptual Japanese fashion, that’s what,” I thought as I imagined myself answering all these confused dudes staring at me. Granted, I stuck out like a sore thumb next to my gorgeous blonde best friend Maryhelen who donned my sexy Suno minidress for the evening. The idea of obscuring the silhouette of the human body, by adding fabric or lumps (as Watanabe’s mentor Rei Kawakubo is known to do), is perhaps the antithesis of Western fashion. Western designers usually seek to accentuate a woman’s shape even though they may too obscure it, as Prada’s bulky coats recently did in the Fall ’11 and Spring ’12 collections. Yet how is it that the absence of a defined shape, which requires the viewer search for the female form, can actually sexualize clothing?
Either you appreciate weird Japanese fashion or you don’t. And thank God for the existence of eDrop-Off so women around the world (like me) can obtain legendary runway pieces seasons after they were produced. Now, I just have to keep checking back for that Rodarte dress I had my eye on…
I love pairing my gifted Gap corduroys with last season’s Celine leather ankle boots. This has become my unofficial fall uniform. The Pendleton blazer from the mid-1980s was thrifted for $5 and joins my teal snake-skin belt on the list of “most amazing finds.” The We Are Owls scarf from Sarca is the perfect way to integrate skulls (my favorite motif, duh) into any look without going overboard. Sometimes a giant skull knuckle ring and skull-and-crossbones earrings are too much in the office, you know? 😉
Make sure to check out Andrea’s photo on Refinery29 Chicago here.
